Sunday March 21, 2000
Julia Roberts Wins Box Office Case With Legal Drama
By Dean Goodman
LOS ANGELES (Reuters) - Going downmarket to play a stubborn single mother who takes on the system, Julia Roberts
claimed the box office crown for the second time in a year with her new film ``Erin
Brockovich.''
The movie, based on the true exploits of an untrained paralegal who stumbles upon a case of water contamination by a
California utility and wins a record $333 million settlement for the victims, earned about $28.2 million for the Friday-to-Sunday
period, according to studio estimates issued on Sunday.
It marks the second best-opening for Roberts after last summer's romantic comedy ``Runaway Bride'' with $35.1 million, and
the second-best March opening ever, after Jim Carrey's 1997 comedy ``Liar Liar'' with $31.4 million.
``Brockovich'' cost about $50 million to make, with the budget split between domestic distributor Universal Pictures and
international distributor Columbia Pictures.
Pitched to an older, female crowd, the movie rated very strongly with all demographics, said Universal distribution president
Nikki Rocco. Rave reviews, Roberts' star power and director Steven Soderbergh's critical acumen were also key ingredients,
she said. Its per screen average of $9,905 was the highest in the top 10.
Box office analyst Gitesh Pandya, at www.boxofficeguru.com, predicted the film would top the rankings for three weeks, and
remain in the top 10 for the summer thanks to positive word of mouth. If the film passes $100 million, as seems likely, it would
mark the eighth time in 10 years that a Roberts movie has hit that mark. Only Tom Hanks has more in the same period, with
nine, which includes the two ``Toy Story'' cartoons, he said.
Last weekend's box office champ, the critically maligned sci-fi drama ``Mission to Mars,'' starring Gary Sinise and Don
Cheadle, fell to No. 2, with $10.9 million, a hefty 52 percent slide from its opening stanza. Its 10-day total is $40.1 million. The
film was released by Touchstone Pictures, a unit of Walt Disney Co.
Director Roman Polanski's supernatural thriller ``The Ninth Gate'' (Artisan), starring Johnny
Depp, which also opened last
weekend, fell three places and 47 percent to No. 5 with $3.5 million. Its total is $12.5 million.
The only other wide new release this weekend, the teen- targeted paranormal drama ``Final Destination'' (New Line), opened
at No. 3 with $10.2 million and a modest $3,943 average. The film revolves around high school teens who are hunted down by
the Grim Reaper, and the production cost was in the low $20 million area.
New Line marketing president Joe Nimziki said the tally exceeded the studio's expectations, especially since the film's R rating
and no-name cast restricted his publicity options. Reviews for the film were mixed, but he would use raves from some key
outlets to try to give it some legitimacy with the 20- something demographic.
According to Exhibitor Relations Co., which collects the studios' data, the top 12 films this weekend grossed a combined $74
million, up 10 percent from last weekend, and up 22 percent from the year-ago period when Sandra Bullock's ``Forces of
Nature'' opened at No. 1 with $13.5 million.
``My Dog Skip'' (Warner Bros.) slipped one place to No. 4 with $5.5 million in its third weekend of wide release. Its nine
percent dip was the smallest in the top 10. The total for the canine-themed kids' movie stands at $21.8 million.
The two leading contenders for the best picture Oscar next Sunday, ``American Beauty'' and ``The Cider House Rules,'' each
slipped two places to Nos. 7 and 8, respectively.
DreamWorks' ``Beauty'' pulled in $2.9 million, taking its 187-day total to $102.8 million. It becomes the 20th film released in
1999 to pass the century mark. ``Cider House'' (Miramax) grossed $2.4 million, for a 101-day total of $45.7 million.
Rounding out the top 10 were ``The Whole Nine Yards'' (Warner Bros.) at No. 6 with $3.2 million (31-day total $51.0
million); ``Snow Day'' (Paramount) at No. 9 with $2.2 million (38-day total $56.4 million); and ``The Tigger Movie'' (Walt
Disney Pictures) at No. 10 with $1.9 million (38-day total $41.7 million).
According to studio estimates, Beyond The Mat took in an estimated $950,000 over the weekend. Playing in just under 300
theaters, it averaged roughly $3,188 per screen. It did not make the top ten list of movies currently playing.
Universal Pictures is a unit of Seagram Co. Ltd. (Toronto:VO.TO - news). Columbia Pictures is a unit of Sony Corp.
(6758.T). Touchstone Pictures, Walt Disney Pictures and Miramax Films are units of Walt Disney Co.
(NYSE:DIS - news).
Artisan Entertainment and DreamWorks SKG are privately held. New Line Cinema and Warner Bros. are units of Time
Warner Inc. (NYSE:TWX - news). Paramount Pictures is a unit of Viacom Inc. (NYSE:VIA - news).
Top 10 movies at the box office
LOS ANGELES, (Reuters) - Following are the top 10 movies at the North American box office for the March 17-19
weekend, according to studio estimates collected Sunday by Reuters. Final data will be issued Monday.
1 (+) Erin Brockovich ........$28.2 million
2 (1) Mission to Mars ........$10.9 million
3 (+) Final Destination ......$10.2 million
4 (3) My Dog Skip ............ $5.5 million
5 (2) The Ninth Gate ......... $3.5 million
6 (4) The Whole Nine Yards ... $3.2 million
7 (5) American Beauty ........ $2.9 million
8 (6) The Cider House Rules .. $2.4 million
9 (9) Snow Day ............... $2.2 million
10(13) The Tigger Movie ....... $1.9 million
NOTE: Last weekend's position in parenthesis. + - new release.
``Erin Brockovich'' is released by Universal Pictures, a unit of Seagram Co. Ltd.
(Toronto:VO.TO - news).
``Mission to Mars'' is released by Touchstone Pictures, ''The Tigger Movie'' by Walt Disney Pictures, and ``The Cider House
Rules'' by Miramax Films, all units of Walt Disney Co. (NYSE:DIS - news).
``Final Destination'' is released by New Line Cinema, and ''My Dog Skip'' and ``The Whole Nine Yards'' by Warner Bros.,
both units of Time Warner Inc. (NYSE:TWX - news).
``The Ninth Gate'' is released by Artisan Entertainment, which is privately held.
``American Beauty'' is released by DreamWorks SKG, which is privately held.
``Snow Day'' is released by Paramount Pictures, a unit of Viacom Inc. (NYSE:VIA - news)
JOHN L: A more interesting box office this week. Julia Roberts has returned with a vengenance cementing her claim as the most popular actress in the last 50 years. She is also the only actress out there that can open a movie to over $20 million on just her name alone. It also is good when you are paid $20 million and your movie makes more than that in the first 3 days of release. Final Destination is the 5-6 teenage portrait poster movie of the week. Scream started that trend of having the main cast of a horror movie stand in a 2/3 triange staring blankly off the poster. I also saw the documentary, Beyond the Mat, about the lives of professional wrestlers when they are not fighting in the ring. I have a lot to say about that movie since I am a huge pro wrestling fan and I had a lot of interest in checking this flick out. Also, I have a warning of a movie to avoid in a new feature debuting in this report known as the Video Nose Pick of the Weak.
I wish these evil companies would stop poisoning our water supply.
These movies are getting tiresome. Erin Brockovitch is another
contaminated water story similar to John Travolta's Civil Action. Civil
Action was a box office dud because there was a big lack of cleavage. EB
is full of Julia Robert's push up bras and tight shorts so you get $28
million. This is a movie that became successful just because of who is
the
lead. If any other lower level or unknown actress had starred in Erin B,
the movie would have been considered an art house limited run
engagement. Law movies that don't involve the mob or an execution
style hit fail to interest the mass crowd. Just ask Kenneth
Branagh and his Gingerbread Man movie. The story of the real Erin
Brockovitch is okay, but I think a TV movie of the week would have
sufficed. I guess it's funner to make a movie and say the "f"
word all the time. Roberts gets paid around $20 million to make movies,
but the average box office of her flicks is still just around $130 million.
Not chump change, but with movies costing about $75 million to make, initial
North American profit is not a guarantee. Her biggest hit is still
Pretty Woman from 1990 with $178 million while her second biggest hit was the
sort of non sequel, Runaway Bride with $152 mil. Her action movies tend
to fail like Nothing But Trouble and Conspiracy Theory while her serious artsy
fartsy roles take out Hiroshima with their explosions like Premiere Magazines
pick as the biggest movie of the summer of 1991, Dying Young and that classic
retelling of Dr. Jeckyl and Mr. Hyde, Mary Reilly. Roberts has not shown
versatility in her roles yet which is causing her problems getting that super
blockbuster
that a Hanks, Cruise, or Jim Carrey has gotten. There are
exceptions to her success like Step Mom and Pelican Brief, but she still needs
to fall in love to get her to earn her salary. Erin B. is her first real
overtly sexy part. Pretty Woman does not count because all of her
hottest scenes were done by a stunt body double. The previews of
Brockovitch focus more on her outfits and breasts than the actual plot of the
film. If it was not for tv interviews and other movie reviews you would have
no idea what the movie is about. "Their called breasts" as Roberts
says in the preview. It is also somewhat disturbing to watch her run
around like that, but you have to realize that the real person dressed like
that because she was sort of trailer parky and it helped her take advantage of
horny guys who let her get access to secret files. Women can be so
devious. That is the a picture of the real Erin Brockovitch at the
premiere of the movie wearing the low cut black dress and the big crap eating
grin. Julia does not do Ms. B. justice. I am not the biggest Julia
Roberts fan and I tend to avoid most of her movies. Of the ones I have
seen, the only one I truly enjoyed was Sleeping With The Enemy. Great
ending for that one. Erin Brockovitch should easily make a $100 million
for the studio and Roberts will continue to shill for Hollywood as long as she
gets paid. I respected her when she did Mary Reilly and Michael Collins
(sounds kinky, but not) since she was acting for the work, but now she does it
more for the money and she freely admits it. EB tries to mix the art and
the spectacle and looking at this weeks box office, I guess it worked.
This month's horror movie offering is Final Destination and like most movies
like this (Urban Legend or I Know What You Did Last Summer) it makes the
standard $10 million its opening weekend. I plan to see this movie because
the preview and the premise, and the mic work of Tony Todd interests me.
The preview set up the premise of several teenagers
who escape dying in an airplane crash apparently cheating death. And if
you saw a recent episode of Fox's The Family Guy, you know that you cannot cheat
death. So instead of a stalking slasher, it seems that the bony hand of
fate is trying to take out these kids one by one in spectacular ways like
slipping on a wet floor or getting hit by a train while stuck in a stalled and
locked car. Tony (Be My Victim) Todd plays the mortician and he gets to
sound all ooga booga when describing how fate has a plan for us all and we can't
fight it. It looks like the cops will have trouble trying to arrest a
culprit in this one. I also expect the traditional stupid fake scares and
silly set ups that these movies are good for, but that is what I like to
see. Devon Sawa plays the guy with the death premonition and I am a fan of
his work in Idle Hands a very underrated horror film that I highly recommend
that slasher fans go rent. There is a Dawson's Creek actor in the movie as
well, but I won't let that deter me from seein the film. The movie was
directed by James Wong who is famous for writing some of the strangest XFiles
episodes. So there should be a good creep factor throughout the
film. I hope to see it this weekend, and if I do, I will post a full
review. Hopefully it will stick around a bit longer. And hopefully
it won't suck.
BEYOND THE MAT - Movie Review
Beyond the mat is Barry W. Blaustein's loveletter to the world of
professional wrestling. It is a documentary that is very funny,
interesting, dark, disturbing, sad, unbelievable, fascinating, tragic,
embarrassing, pointless,
boring, amazing, frightening, cute, and worth seeing even if you have never
watched a professional wrestling match. I am one of the world's biggest
professioanl wrestling fans. I started watching pro wrestling on a regular
basis back in 1978. I started to pay attention to it around 1984 when Hulk
Hogan and the WWF were becoming the hottest things on Saturday mornings and
nights. I love the athletic display of the wrestlers and the crazy angles
or storylines that they go through to make you care that these guys are beating
the hell out of each other to get a "pop" or cheer from the
crowd. I am what one calls a mark when it comes to wrestling. I sit
and watch it about 4 days a week especially on Mondays with WWF RAW and WCW
Nitro. I scream and yell in front of my tv like the guys on the screen can
hear me. I have seen the shows live several times and really enjoy
watching it. For the first 19 years of my viewing wrestling, I never
really knew what went on behind the scenes. I took everything as I saw
it. If Bret Hart is fighting his brother, he must not like him in real
life. If Hogan is splashed by a 400 pound wrestler and has to get his ribs
taped, he must really be hurt. Did I believe that wrestling was real as
they say? Well, yes and no. In the beginning, I took it as real and did
not understand about the bookers or the promoters who decide who wins and who
loses. I just looked at as real as I watched it. Then one Friday
night, John Stossel did his famous 20/20 expose on pro wrestling and said that
is is "fake." Of course he made that announcement in front of
300 pound, 6 foot 7, mean as hell Dr. David Schultz who promptly slapped JS
across his ears and asked him if that was fake. Stossel of course received
severe ear damage that he may still suffer from today. Knowing this, did
not deter my interest in the sport, or sports entertainment as they like to call
it. In 1997, I went on the internet
full throttle and came across wrestling web sites that exposed the backstage
life of the wrestlers so now I know when things are worked or when a wrestler is
really hurt or if it's an angle. This just increased my interest in the show
more than when I was a young mark in junior high and high school.
Blaustein is a wrestling mark and this documentary proves it. This movie
goes beyond what goes on in the ring, that is coreographed but most of the moves
and hits you see are done for real with real impact. If a guy falls off a
20 foot steel cage through a Spanish announce team table, that is real, no wires
or blue screen. If a guy gets hit in the head with a chair 13 times in a
row, that is real. There are no nerf chairs in wrestling. If a wrestler
does a flip off a 10 foot ladder onto a guy laying on the mat, the impact is
felt and it does hurt. If you do a lot of crack and drink a lot of
alcohol, you will not be able to perform in the ring and you will end up a has
been living in cheap hotels and trying to reconcile with your emotionally
disturbed daughter. All of this is shown in Beyond the Mat to show you
that these guys that are cheered, booed, or ridiculed are real people with
families and personal demons that we all share a part of. The movie
focuses on 3 wrestlers. Terry Funk, Jake "The Snake" Roberts,
and Mick "Mankind" Foley. There are a few subplots of young guys
trying to make it in the big leagues, a wrestler trying out for an acting role,
and a wrestler who had recently signed with the WWF, Darren Drosdov, and how
Vince McMahon comes up with his on screen wrestling gimmick of puking on
command. The sad thing about this is that soon after Beyond the Mat
debuted in October of 1999, Drosdov was seriously injured on a tv taping of WWF
Smackdown in a match that left him paralyzed from the waist down. That is
mentioned
at
the very end of the movie as a tack on as it occurred long after the movie was
actually finished. Terry Funk is a guy who is a living legend in the
business who refuses to quit. He talks about retiring in the movie, but as
of this writing, he was still actively wrestling for WCW. Jake Roberts is
a sad case. I was a big fan of Jake the Snake in the 80s and early 90s. He
was never the greatest wrestler, but his snake gimmick and his DDT finisher was
fantastic. He had a great presence in the ring and was excellent at
psyching out his opponents. Unfortunately, he came on hard times as his
career was winding down and he has still not recovered from his problems.
The movie takes a lot of screen time discussing Jake's life and it can be quite
disturbing to watch. I was very interested in the footage because I am
such a fan, but it was quite depressing for me. Mick Foley is the star of
the movie though. His wife and 2 kids are his life and he loves them
dearly. This is shown quite lovingly. BTM also shows that Foley is a
crazy mo fo who has gone too far on several occasions to get that pop from the
crowd. Exploding bomb matches in Japan, hell in the cell matches, I quit
matches, chair shots, chokeslams, and the sight of his wife and daughter
cowering in fear as they see Mick getting his brains bashed in by The Rock in a
match from the WWF Royal Rumble show. They show his head getting stitched
up and you can almost see right into his head through his skull to his brain the
cut is so deep. Foley is a modern legend in the sport at the age of
35. He is winding down his career now only to wrestle sporadically to
spark a buy rate for a pay per view or get an extra boost in the ratings.
Beyond the Mat does a great job in showing how Foley is a nut, but he is still a
great guy and a loving father, and a guy who knows he has a hot wife who he does
not mind saying he likes to feel up every now and then. The other part of
the movie that is good is all of the behind the scenes footage during a
wrestling show. You see guys going over their promo lines, directions for
selling a worked injury, or ECW promoter, Paul Heyman giving a pep talk to the
talent as they are about to do their first ppv. All fascinating stuff that
could be the entire focus of a BTM sequel. Now, I like this, but I do like
to keep the mystery of the business in tack, or as they say keep the kayfabe
(whatever that means). Foley and The Rock were feuding quite heavily at
the time of this films production, but you see them smiling and laughing and
talking about Disney World and then the next scene they are trying to kill each
other. That is so weird to watch. I always knew that when wrestlers
would fight all the way to the back and the cameras turned off they sit in the
back and drink beers together. BTM is a good movie and it has all of the
dopey documentary type interviews that Saturday Night Live sketches goof on all
the time. Blaustein is a little dull in his narration, but his subject is
quite interesting to say the least. Check this movie out and watch one of the
wrestling shows, (WWF or ECW preferably, WCW if you are desperate) if you
haven't. These guys work harder than almost any people in the world and
they do it 4 to 5 days a week all year with limited breaks. Respect them
all. They deserve it. Final Review: 3 stars out of 4; 7 1/2 out of
10; B+; thumbs up.
VIDEO NOSE PICK OF THE WEAK
Whatever you do, do not rent the movie Crash with James Spader and Holly Hunter. It is about people who are infatuated by car crashes to the point of sexual ecstasy. It is just pointless. Some decent nudity, but hard to sit through. Watch at your own risk.
REST OF THE TOP 10 IN 10:
1. Mission to Mars fails to attract an audience its second week.
2. Brian DePalma needs to remake a Hitchcock film or something to get back on track to making movies people want to see.
3. People may be skipping Mission to Mars, but they are still checking out My Dog Skip.
4. It looks like the boy and his dog movie has finally made a comeback as long as your budget is less than $10 million.
5. Ninth Gate looks boring as Hell.
6. The number 6 is once again Bruce Willis' number with the placement of The Whole Nine Yards in this week's top 10.
7. Annette Beatty has her first $100 million hit foiling my wishes once more.
8. Maybe Cider House Rules will get the best picture Oscar this year playing the Shakespeare to American Beauty's Ryan.
9. The Ground Hog saw its shadow and says that Snow Day is having a good long run of at least 6 weeks in the top 10.
10. The Tigger movie became the third children's movie to appear in the top 10 this week.
That is all I have to say this week about the box office. I hope to see Romeo Must Die and Final Destination this week. I don't expect Romeo to do that well, but it should out gross Jet Li's last movie U.S. release, Black Mask. Also, next week's box office report will be out on Tuesday or Wednesday because I will also give my take on this years Oscar winners an losers. Should be an interesting show with Robin Williams singing the Blame Canada song from the South Park movie. Bye for now.
ABOUT JOHN L.'S KICKIN' BOX OFFICE REPORTS
THIS WEEK'S BOX OFFICE REPORT LAST WEEK'S BOX OFFICE REPORT
THE BEST AND WORST MOVIES OF 1999
EMAIL: